Wider View

It was always nice to try new things in photography. On some of the blogs, I saw some nice shots using wide angle lens on street photography, something I was yet to try.

So, last week I decided to dust off my wide-angle Fujinon 10-23mm and took my X-Pro2 for a walk. I was pleasantly surprised with my captures.

I decided to snap in RAW mode as I felt that I might struggle to bring up the shadows using such a wide-angle lens in high-contrast environment. But the beauty carried through even in my indoors, high ISO captures. Maybe the stabilisation built into the lens helped.

It allowed my to capture the scene in perspective, giving a meaning to the composed image while giving me plenty of leeway for post-processing cropping, at the expense of loss of resolution. The 24 MP sensor coped well and the final images retained their contrast as well as their colour.

I tried the setup at three separate venues. First when I left the LRT at Central Market on the way to Urbanscapes House at Medan Tuanku. Secondly at the Urbanscapes House itself, pushing it to high ISO and testing the stabilisation. Lastly, I ventured on around Masjid India before catching the LRT back to NU Sentral where I parked.

Next step, the 42 MP Alpha 7R mk II full frame with the 18 mm Batis. My ultimate goal would be to pair a medium format body to a wide angle prime .... at least in my dreams ...

The New Prime

I have been fascinated by the Zeiss Otus for a while. A hunk of a lens, big optics, aperture of 1.4, but bulky and only manual focus. Zeiss had a couple versions of this - 55mm and 85mm, as well as a couple of mounts, one for Canon and another for Niton.

None for either Sony or Fuji, unless you get yourself an adaptor.

By sheer size, it wouldn't be practical to attach it at the front of my Alpha 7. Too unwieldy.

Around Xmas, I heard about a Zeiss made lens for the Sony, called the Loxia. Manual focus, and not as big. The review was decent, but I don't think I would more out of the Loxia compared to my Summicron. I ditched the plan.

Three months back, I heard about the collaboration between Sony and Zeiss to make a wide aperture prime for the Alpha range. Soon after, the 35mm f1.4 Distagon was announced. I didn't hesitate and started doing some reading.

Reportedly great quality lens with full fast auto focus to boot.

I got my hands on one to test last week at one of the Sony Centre as my regular dealer was not able to secure a shipment before June. The deliveries prior had been taken. The resulting snaps were better than I expected. It didn't get long before I put in my order and during the weekend, I received a call that my lens was in.

It was bulky for sure but surprisingly well balanced on my Alpha 7 mk II. Not as nifty as having the Summilux attached but auto focus does have its merit.

Since the weather had not been kind, I have yet to really take the lens out for a good spin. I was looking at a busy week, so I could only test in next weekend. ‎

Back with the Cron

After taking the new zoom for a couple of spin, it became very clear that I should stick to primes for photowalks. Zooms were good for the family outings and general use, but for my own snaps, definitely prime lenses were the way forward.

I just was not impressed with the new zoom despite it being top of the line. And I don't think it was the fault of the lens per se. It was more of a personal choice and the fact that I had been spoilt by the quality of the Leica lens I had with me.

So, to prove the point that I still possess some photography mojo, I went for a quick walk around Bukit Bintang last Sunday. With me came the Sony Alpha 7 mark II with the Leica Summicron-M 50mm through an adaptor of course.

The result? Stunning photos. Definitely the lens - and the fact that the Sony was full-frame made a major difference. The colour rendition was a lot better and I don't mind the manual focusing. It took a bit longer to get the snaps, but I was a lot happier with the setup.

The main difference was the micro-contrast on the lens. The Leica had them in abundance. I would still use the zoom, but only when the need arise. For my usual walk-about, the Alpha 7 and Cron combination looked to be with me for a while.

The New Zoom

For the last few months, I have been stricter on my Thursdays. That's the only day when I have no clinics, and I have decided to devote the day for 'me' time. Yes, there were the occasional lunch meetings, or even worse, the ones which started at 5pm, but I would try to keep those to the minimum. I also tried to keep distractions to the minimum on those days and would stay away from the hospital as much as I could.

I was lucky last Thursday, when I was able to have lunch with Anita as well as took a new zoom I got last weekend for a bit of a spin.

It was a Fujinon on the X-T1 and I have been waiting for this lens for a good part of a year. The original announcement was made at the beginning of 2014 about a new pro-level standard zoom for the Fuji X-series. So, I ordered one in and was contacted by my usual dealer last week. It was the Fujinon XF 16-55mm 1:2.8. And it was a monster.

A much bigger lens than I thought, which was a surprise as it didn't carry an image stabilising motor on it. Using it on the X-T1 took some getting use to, and I had high hopes for the output.

It focused amazingly fast and accurately, and the results out opened was pretty sharp. But I had a problem. Since the beginning of the year, my main system had been the Sony A7 mark with Leica lenses. They were primes of course, and once you used the Leicas, nothing else came near them in terms of sharpness.

Although I understood the quality and the convenience of autofocus, the X-T1 with the new zoom was not the most mobile of setup. It was like carrying my EOS 7D with the 17-55 f2.8 zoom all over again. Although I must be honest, that the results from the Fujinon in terms of colour rendition and sharpness were much better.

I may take the combo for another spin this weekend, but my initial impression was somewhat flat. I was expecting a bit more. Maybe the Leica lens were poison! I am willing to give it another go though, and hopefully find a bit more joy. I will be posting more on the Fuji and Sony comparisons later ....

The Zoom Samples

As highlighted by my previous entry, the main thing which struck me with the new 10-24mm Fujinon zoom was how much contrast generated by the glass. It was more than I could handle.

Add to that the tone generated by the deep colour, it could certainly exaggerate dull palate. Luckily during the day that I tested it, the sun was out - albeit a harsh one.

Can't wait to try the lens for architectural shot and really test the perspectives. So far, I couldn't detect any barreling or vignetting. Stopped down to f5.6 certainly improved the sharpness aplenty.